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Posted: Mon Apr 05, 2010 9:41 pm
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Fender Play Winter Sale 2020
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Posted: Mon Apr 05, 2010 9:42 pm
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Posted: Mon Apr 05, 2010 9:43 pm
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Posted: Mon Apr 05, 2010 9:48 pm
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Posted: Mon Apr 05, 2010 9:50 pm
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Posted: Mon Apr 05, 2010 9:54 pm
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Posted: Mon Apr 05, 2010 10:16 pm
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Stratokatzer many thanks for posting the Old love video of the green strat and Chromeface thank you for the pic of EC with the green one.Mine is green as well and is very special.

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Post subject: Re: Eric Clapton Signature Models
Posted: Tue Apr 06, 2010 4:46 am
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StratoKazter wrote:
chromeface wrote:
Robert R. wrote:
The smoker's model however, never went into production.



Yes, they certainly made them. I almost bought one at Medley Music in Bryn Mawr, PA in 1992 or 1993 when I was in college. It was the only one that I ever saw. The cigarette "hole" was a little brass insert.


Hey, that's not my quote... if you edit, please edit carefully.... :wink:


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Posted: Tue Apr 06, 2010 4:55 am
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chromeface wrote:
Robert R. wrote:
If what you refer to as "Smokers model" is the grey 21 fret prototype, then it's unlikely the neck on that guitar was changed to a 22 fret neck. As I have posted elsewhere on this forum, I have footage of Clapton playing both guitars (i.e. the 21 fret proto and 22 fret definite model with the flame neck) at the Concert for Nelson Mandela in June 1988 where he joined Dire Straits. EC changes guitars midway in "Money for Nothing" after breaking a string.


According to George Blanda of Fender, he made one red and two pewter Clapton Signature Stratocaster prototypes in 1986. They had serial numbers V000007, V000008 and V000009. These were presented to Clapton who apparently used them for recording August and for stage work throughout 1986 and 1987. The pewter Strat V000009 in this lot is one of these prototypes. (According to Lee Dickson, the red prototype was given by Clapton to English cricketer Ian Botham as a gift in exchange for his bat.) This guitar originally had a 21-fret neck and an 'Original Contour Body' decal on the headstock and was pictured on the cover of A.R. Duchossoir's book, with that neck in 1988. The original 21-fret neck was subsequently exchanged for a 22-fret neck, put on by Mike Stevens of Fender Custom Shop later that year. This guitar with its present neck served as Clapton's main stage guitar during his 1989 Royal Albert Hall season. It remained as the back up guitar with the introduction of the black signature models in mid-1990.

Clapton used the 21-fret prototype during a gig at Philadelphia in September 7th, 1988. He also used a 22-fret candy green Strat for slide on "Motherless Children" featuring Mark Knopfler on a Dakota Red Telecaster.

As of September 21st, EC definitely used the Pewter prototype now fitted with the 22-fret Stevens flamed neck. The other 22-fret Pewter guitar sported a birdseye neck and served as a backup to the "flamed" neck prototype.

Since that time Clapton relies on his two Pewter Strats, one of which has been used for the rest of the Knebworth show after a string break occurred in the middle of "Before You Accuse Me". Later, the flamed maple neck has been put on a black alder body made by Jay W. Black. This guitar has been used extensively by Clapton until 1993.


Great info chromeface! I never heard of a second grey propotype anywhere else, and that is after having collected just about every guitar magazine publishing anything on EC I could get my hands on. Where do you get this stuff?

Btw, by replacing a neck on a prototype body with the 22 fret neck Fender must have worked on the bodies as well; the proto's had the 50's truss rod adjustment while the early Clapton customshop guitars seem to have the biflex truss rod, like the production line model has maintained to this day.


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Posted: Tue Apr 06, 2010 6:10 am
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Hiram Bullock was a fervent fan of Strats with HSH layouts. Two chrome-covered humbuckers (supposedly Gibson PAFs) in the neck and the bridge positions and a hot single-coil in the middle, all coupled with a 5-way switch, a Wilkinson custom 2-point tremolo, a solid contoured northern swamp ash body and a maple neck with a 21-fret African rosewood fingerboard and Sperzel locking machine heads.

Hiram had his own signature model from CORT, the HBS-2, which was available in Black, Natural (maple fb/3-ply B/W/B p/g) and Tabacco Sunburst (rosewood fb/3-ply W/B/WPS p/g).

BTW, Hiram truly deserves a Fender signature model, though he passed away due to a throat cancer almost 2 years ago.

Not certain if it's possible to have a Hiram Bullock tribute Strat from the Custom Shop or a regular Artist Series production version of the same guitar without the relic job of the tribute model.

The photos I've posted below show him playing an exact copy of his battered sunburst modified Fender Strat made for him by Atelier Z Guitar Works.


Last edited by chromeface on Tue Apr 06, 2010 6:38 am, edited 4 times in total.

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Posted: Tue Apr 06, 2010 6:15 am
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Posted: Tue Apr 06, 2010 6:16 am
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Posted: Tue Apr 06, 2010 6:17 am
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Posted: Tue Apr 06, 2010 6:19 am
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Posted: Tue Apr 06, 2010 11:20 am
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Quote:
Great info chromeface! I never heard of a second grey propotype anywhere else, and that is after having collected just about every guitar magazine publishing anything on EC I could get my hands on. Where do you get this stuff?
Other than some of the authors quoted herein, The Christies Auction Catalogs for The Crossroads Center contained interviews with Eric and Lee regarding the histories. Enjoyed sitting back and just reading. Normally I'd jump into this but the contributors seemed to be doing just fine. Thanks for the SNL video. I remember viewing that broadcast. A little anecdote on the green guitar...7-UP Green...Eric is quoted as saying that he always wanted to have a guitar the color of a 7-UP bottle. Seems he was tiring of black. The return to the Blackie came in 1990. If your interested in the narrative as to how they came to that again, I'll dig it out of the catalog on returning home if no one else has it. BTW: I've an early '89 Pewter.
Doc :wink:

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