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Post subject: At what point should an artist get his own model guitar?
Posted: Sat Sep 18, 2010 11:41 am
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Hi all.

I was just looking the other day at all the Artist model guitar that have been or are available and it really got me thinking, half of these guys (Or gals) I have no clue who they are or how it is they got a signature model made for them.

Now I get that in a free market the only criteria that maters is, "Does it sell".
If no one buys it, then it goes away, but sometimes I just wonder if there should be a standard that should be applied to this before they get to have there signature on the headstock.

When you see a signature model with like Clapton, Vaughan, Johnson Blackmore, Malmsteen or Guy, you most likely know at least WHO they are.

I just wonder how a company comes to the judgment that an artist is ready for one.

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Posted: Sat Sep 18, 2010 11:49 am
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it has nothing to do with the artist being worth or a good enough player. it has to do only with what will sell and bring in profit.

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Posted: Sat Sep 18, 2010 3:06 pm
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The way I see it is that when you reach the point when you can afford to buy any guitar you want or have one made to your most outrageous specs that's when they give you your own model guitar and give you and endless supply of them.Life's funny like that.

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Posted: Sat Sep 18, 2010 3:57 pm
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BlackCatBone wrote:
it has nothing to do with the artist being worth or a good enough player. it has to do only with what will sell and bring in profit.


++++++1

It has nothing to do with talent or "when you reach the point when you can afford to buy any guitar you want or have one made to your most outrageous specs". It's all about what will $ell and what is popular (even if it just fleeting popularity). Case in point: the Avril Lavigne signature Squier Tele.

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Posted: Sat Sep 18, 2010 4:06 pm
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metropolis74 wrote:
BlackCatBone wrote:
it has nothing to do with the artist being worth or a good enough player. it has to do only with what will sell and bring in profit.


++++++1

It has nothing to do with talent or "when you reach the point when you can afford to buy any guitar you want or have one made to your most outrageous specs". It's all about what will $ell and what is popular (even if it just fleeting popularity). Case in point: the Avril Lavigne signature Squier Tele.


Billy Corgan strat

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Posted: Sat Sep 18, 2010 4:17 pm
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Artist guitars are a joke. Marketing tool to separate you from your money is all they are.

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Posted: Sat Sep 18, 2010 5:37 pm
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I couldn't give a rat's fookin' azz about some shmuck's signature on a headstock. When I step on stage, the only name I want to see on my guitar is Leo's.

Period, end of story, nothing follows.

Arjay

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Posted: Sat Sep 18, 2010 5:51 pm
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I like the idea of a signature series guitar/bass. It just means more variety. Roscoe Beck should be awarded for his...

Who's to say exactly when an artist deserves one?


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Posted: Sat Sep 18, 2010 6:25 pm
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Metropolis I had my tongue firmly planted in my cheek when I made my remark.I know it all boils down to who is going to bring the biggest profits but you must agree that just about everyone who has gotten a signature line of guitar is maggoty rich by then-it's pretty ironic.

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Posted: Sat Sep 18, 2010 7:31 pm
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Retroverbial wrote:
I couldn't give a rat's fookin' azz about some shmuck's signature on a headstock. When I step on stage, the only name I want to see on my guitar is Leo's.

Period, end of story, nothing follows.

Arjay

So, you play a G&L? :D


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Posted: Sat Sep 18, 2010 7:39 pm
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Hmm...

...and if memory serves, artist models began with Les Paul's name on an instrument, because Gibson did not necessarily want to "take all the responsibility" for a ssolidbody electric guitar in their (jazzbox, flattop and mandolin) line...?


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Posted: Sun Sep 19, 2010 3:32 am
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Quote:
When you see a signature model with like Clapton, Vaughan, Johnson Blackmore, Malmsteen or Guy, you most likely know at least WHO they are.


Not im my neck of the woods. Clapton, Vaughn- yes. The rest, I had to search to find who they were. Koetzen, ...WTH? who is that? John Mayer & Clapton- is probably the only two who are well known to the non-guitar masses

Im so glad we have search engines & youtube now :lol:

I think they should also localise artists too. The only artist that bears a sig guitar in my locale is Angus Young- and that's in Australia!! I know they did a hank marvin in the UK (the only reason I know him is because my dad forced me to listen to Cliff Richard!!! :twisted: )

I guess the next will be Orianthi- but till then most of the artists that bear there names on guitars I have never heard of, and probably unless I really put effort into finding out who they are and listening to them on youtube.

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Posted: Mon Sep 20, 2010 6:25 am
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Blertles wrote:
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I guess the next will be Orianthi- but till then most of the artists that bear there names on guitars I have never heard of, and probably unless I really put effort into finding out who they are and listening to them on youtube.


I think she is already working with Paul Reed Smith to develop her own signature axe...she's got chops, but I don't get into shredders that much.

...it will be sad if she gets her own sig model so soon (especially with PRS), since the greatest ambassador of PRS guitars, David Grissom (of Joe Ely, John Mellencamp, Storyville and Dixie Chicks fame) only recently got his own, after playing them for 25+ years!

...but then again, he was never a pop star.

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Posted: Mon Sep 20, 2010 6:55 am
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Since Fender doesn't know who I am (okay, nobody knows who I am :cry: ), I had to make my own signature model Stratocaster...

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Posted: Mon Sep 20, 2010 7:03 am
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DantheBassist wrote:
Who's to say exactly when an artist deserves one?


The guitar company, based on what they think will sell the most guitars not how talented the player is. If it was about talent then you would see a bunch of no name guys with signature guitars.

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