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Posted: Fri Aug 14, 2009 9:10 am
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Aspiring Musician
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Joined: Mon Jul 16, 2007 9:58 pm
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so common you'd never think of it. i have two, one for strat, and one for LP (different size screw heads). it's surprising how often i've had a need for it

Image

and let's not forget the handy dandy pick holder 9000

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Posted: Fri Aug 14, 2009 9:52 am
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Joined: Thu Jul 26, 2007 4:57 am
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Location: Peckham: where the snow leopards roam
msvolpe wrote:
Image


Haha! Hi msvolpe: I've met one or two guitarists for whom Altoids would be a highly essential tool too! Shame they don't work on the lingering smell of patchouli as well...

:lol: - C


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Posted: Fri Aug 14, 2009 9:55 am
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Location: Deep in the Heart of Texas (San Antonio, y'all)
Mr Bill wrote:
Metronomes another handy tool. Here are some I like.
My favorite being the Classic Piano Pyarmid
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Mr Bill, I agree with you. It may not be accurate to the microsecond like its digital counterparts, but I really like my old-fashioned mechanical pyramid metronome. I like to watch it as well as listen to it. 8)

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I really like all them "Aster" guitars. You know, like the Stratoc, Telec and Jazzm. :wink:


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Posted: Fri Aug 14, 2009 3:01 pm
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Professional Musician
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Joined: Tue Jan 01, 2008 1:51 pm
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Location: Bucks County, Pennsylvania, USA
Hello All,

Here is a link for the book Ceri spoke of for a cheap price.

http://www.amazon.com/gp/product/087930 ... JJRQR9D127

Cheers.


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Posted: Fri Aug 14, 2009 3:35 pm
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Location: San Francisco Bay Area
Ceri wrote:
Hi Mr Bill

The moment you realise your years are passing is when you discover there are electronic tuners and stringwinders in the world; they've been there for ages; and nobody told you... D'oh!

I got my first electronic tuner long after the '70s. (It was the little pipes before then.) In my own experience it's not lazy - in fact, I believe my ear for tuning got much better with its use. Like a spell checker on a computer; having your error pointed out immediately teaches you to improve quickly.

Use those tuners without shame, people.

To add to the useful tools list: howzabout a guitar cleaning cloth? No polish: hot breath and a willing elbow are all you need for the job.

Cheers - C


Guess I'm older than dirt. I remember buying just one "E" pitch pipe, then turning the rest of the strings to each other.

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"I won't be wronged, I won't be insulted, I won't be laid a hand on. I don't do these things to other people, and I require the same from them."-John Wayne


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Posted: Fri Aug 14, 2009 3:54 pm
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Joined: Thu Jun 14, 2007 2:27 pm
Posts: 1242
Location: Grass Valley, CA
This was my first tuner. Tune the A string first, then the rest off of that.

Image

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“All music is folk music, I ain't never heard no horse sing a song.” Louis Armstrong


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Posted: Fri Aug 14, 2009 4:01 pm
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Location: Bucks County, Pennsylvania, USA
Hello Starto,

Looks like the one I got back in'66.
I've been hunting around for it, but it's not turning up.
I probabley tucked it away somewhere so I wouldn't loose it. :shock:

no batteries needed. :wink:

Cheers.


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Posted: Fri Aug 14, 2009 4:39 pm
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Rock Star
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Joined: Wed Jul 18, 2007 9:53 am
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Location: Magnolia, Texas (just north of Houston)
Vulkan wrote:
zontar wrote:
I don't think capos are essential--in fact I've never owned one--and I've only used them a handful of times--they do have their uses--such as with open tunings, and for voicings--but to use it to avoid barre chords is just lazy.


Ah, one of the great guitar debates.

I think capos are necessary and, incidentally, I don't disagree with your statement above. On the other hand, many songs benefit from open strings; chords often sound better open, and the 'drone' effect can be very useful. In this regard, capos are essential. I'm a good guitar player and have no problem with barre chords -- I play barre chords in virtually every song my band does. Nevertheless, I feel that capos are requisite equipment because they make many things easier. And really, who cares if it's easy or not? What matters is what it sounds like.

If I write a song in C, for example, it may turn out that our band's singer can't sing it in that key; if simply changing keys makes a big sonic difference, then a capo can be just the tool for the job. Frankly I'm surprised you don't own one. I thought everybody did.


I only use my capo for intonation...cannot get into playing with one.

RK


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Posted: Fri Aug 14, 2009 4:42 pm
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Mr Bill wrote:
no batteries needed. :wink:

Cheers.


That's the best part! I found it worked best to whack it on my knee bone and hold it in the pick guard of my acoustic.

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“All music is folk music, I ain't never heard no horse sing a song.” Louis Armstrong


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Posted: Sat Aug 15, 2009 9:43 pm
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Ceri wrote:
Hi Zontar and Vulkan: I have a strange prejudice against capos and don't use them much. But I can't play George Harrison's "If I Needed Someone" without a capo way up on the seventh fret. That great song justifies owning one all by itself!

***

Another seriously useful tool nobody's mentioned yet is Dan Erlewine's Guitar Player Repair Guide. Finest thing of its kind and best few bucks anyone can spend on looking after their instrument.

Highly recommended.

Cheers - C


Erlewine's book should almost be given out with every guitar--unless you plan on paying somebody to do all of that for you--including changing strings!

And you can usually find it at a decent price,

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It wasn't Willy-Nilly, it was at crows.


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Post subject:
Posted: Thu Aug 20, 2009 4:05 pm
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Joined: Tue Mar 31, 2009 12:28 pm
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Location: Sitting on my La La
Hello all, assuming our "newbie" has a Fender guitar, the support tab at the top of this page is loaded with great step by step how to change strings etc. Click on the support tab than go to the guitar model and click set-up. The tools are all great, this is the how to part.


Good luck new player,
John.E


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Posted: Fri Aug 21, 2009 10:29 am
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Location: Central WI
I agree the string winder and the tuner are pretty necessary. I use both when needed and don't know how you'd get along without either one.

The capo, when you play stuff like John Prine it's kind of a necessity for the Travis picking, for me anyway.

But in all the discussion of tuners, does anyone use one of these Intellitouch tuners? Like em? Hate em? I LOVE this thing, to be able to tune my elec bass with the volume completely muted is useful and I find it to be pretty accurate. What's amazing is how you need to find the "sweet spot" on the headstock of each guitar, it's really different on each one which seems strange.

Image


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Posted: Fri Aug 21, 2009 1:44 pm
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Location: Deep in the Heart of Texas (San Antonio, y'all)
WI KISSfan wrote:
I agree the string winder and the tuner are pretty necessary. I use both when needed and don't know how you'd get along without either one.

The capo, when you play stuff like John Prine it's kind of a necessity for the Travis picking, for me anyway.

But in all the discussion of tuners, does anyone use one of these Intellitouch tuners? Like em? Hate em? I LOVE this thing, to be able to tune my elec bass with the volume completely muted is useful and I find it to be pretty accurate. What's amazing is how you need to find the "sweet spot" on the headstock of each guitar, it's really different on each one which seems strange.

Image

Hi WI KISSfan. I have this model:

Image
And you're right--it's weird how you have to find just the right place on the headstock. But still, I love it! 8)

_________________
I really like all them "Aster" guitars. You know, like the Stratoc, Telec and Jazzm. :wink:


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Posted: Sat Aug 22, 2009 10:50 am
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Joined: Fri Feb 06, 2009 3:11 pm
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Location: location, location.
my only criticism with the string winder is there never seem to be any that'll fit over bass pegs, not even the planet waves ones


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Post subject:
Posted: Sat Aug 22, 2009 10:23 pm
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WI KISSfan wrote:
But in all the discussion of tuners, does anyone use one of these Intellitouch tuners? Like em? Hate em? I LOVE this thing, to be able to tune my elec bass with the volume completely muted is useful and I find it to be pretty accurate. What's amazing is how you need to find the "sweet spot" on the headstock of each guitar, it's really different on each one which seems strange.


The sweet spot is different because the wood each piece of wood is different--so even with two guitars with headstocks made of the same wood, from the same tree, that are the same size & shape--with the same machine heads & strings--it will be different--so lots of variables, but the fact that no two pieces of wood are the same is enough on its own.

As for the tuners themselves--I love mine. I found out about them from a cellist who has one of the clip on ones--I tried it and got the guitar one.

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It wasn't Willy-Nilly, it was at crows.


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