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Posted: Sun Jan 04, 2009 10:28 am
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Joined: Thu Aug 07, 2008 8:41 am
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Location: Syracuse, New York
i promise i will put up a sample of the holy grail of tone when my amp comes back from the shop... which is in about 2-3 weeks :evil: i was thinking of just buying one of those vox amplugs just so i can hear how great that guitar sounds.... i miss not being able to hear it :cry:

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Fender Play Winter Sale 2020
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Posted: Sun Jan 04, 2009 11:05 am
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Joined: Wed Jun 20, 2007 1:40 pm
Posts: 209
Location: Ontario
I have a 1992 Clapton strat into Digitech Crossroads pedal,into the 58 Bassman patch of my 2001 cybertwin using the neck pup.As for settings i,m forever tweaking those i never found anything to stop and say Hey that,s it.I also lke the bassman setting on my supersonic.


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Posted: Sun Jan 04, 2009 11:06 am
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Joined: Thu Aug 07, 2008 8:41 am
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here is a short clip from the fender website, i think it pretty much shows how the midboost effects your tone and gives you that endless sustain and sweet overdrive....

http://www.fender.com/products//sounds/ ... 117602.mp3

mine sounds a little different because of my Lace Hot Golds and i believe these were Vintage Noiseless pups on the Clapton sig model. the guitar is really the core tone and IMO the better the amp that you have, the better that core tone will sound (sweeter OD less harsh.. etc).

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"If the blues are a living thing, Charlie Patton and Robert Johnson taught it how to walk; Muddy and Howlin' Wolf taught it to run and Stevie and Eric may have made it rock but it was T-Bone Walker who made it electric."


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Posted: Sun Jan 04, 2009 1:34 pm
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Joined: Fri Jul 13, 2007 1:10 pm
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fhopkins wrote:
That means you Blackie08! Give it to them my friend. :)


Some 15 years ago, using a Fernandes strat-type armed with gold lace sensors through a Proco-Rat into a '61 Fender Concert Amp, I could generate that creamy, sustained tone.

A great deal of what one hears in his playing derives from his working the neck at the 12th fret and above.

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